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Press Release

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Contact: Kim Alton
202) 662-8317

September 21, 2004

Native American EPA Employees Still Endure Harassment During National Festival Celebrating Native Americans

(Washington, DC) Native American EPA employees endure a workplace that displays racially and ethnically demeaning, offensive, and historically inaccurate paintings. While a few blocks away, the National Museum of the American Indian opens as part of a long overdue celebration of the culture and traditions of the First Americans.

The Lawyers' Committee for Civil Rights Under Law in conjunction with the firm of Latham & Watkins, LLP represent Native American EPA employees who object to the paintings on display in the Ariel Rios North Building in Washington, DC. The EPA paintings perpetuate stereotypes of Native Americans as savages, murderers and sexual predators.

The General Services Administration (GSA), the landlord of the building, has relied on the National Historic Preservation Act (NHPA) in order to avoid removing the murals. “The NHPA does not require the display of paintings replete with negative stereotypical images of Native Americans,” said Audrey Wiggins, Staff Attorney for the Employment Discrimination Project of the Lawyers' Committee. “It is hard to believe that the writers of the NHPA imagined the Act would protect work that is historically inaccurate and creates a racially demeaning and hostile work environment. For our clients, those paintings serve as a harsh reminder that they work for an employer that refuses to address the concerns of Native American employees.”

“I’m sickened by the violent images in these paintings,” said Bob Smith, one of the EPA employees represented by the Lawyers' Committee and Latham & Watkins. “The paintings are historically inaccurate, promote racial stereotyping, and their interpretations reek of prejudice and racism. I, along with other Indians, feel ashamed and embarrassed that EPA would allow this kind of hostile environment to exist under the protest of the EPA American Indian Advisory Council. This lack of respect for Indian People at EPA cannot be off set by the opening of the new Indian museum only a few blocks up the street.”

A complete description of these paintings can be found below.

The Lawyers' Committee is a forty year old nonpartisan, nonprofit civil rights legal organization, formed in 1963 at the request of President John F. Kennedy to provide legal services to address racial discrimination.

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SEPTEMBER 21, 2004 PRESS RELEASE ADDENDUM

Native American U.S. Environmental Protection Agency (EPA) employees have expressed concern for the racially and ethnically demeaning, offensive, and historically inaccurate paintings on display on the fifth and seventh floors of the Ariel Rios North Building in Washington, DC. These paintings include:

Frank A. Mechau’s “Dangers of the Mail”

  • A national controversy since its creation, the painting depicts a massacre scene where Native American men, having overturned a stage coach, are scalping nude white women and murdering white men.

Frank A. Mechau’s “Pony Express”

  • Depicts Native Americans as thieves, and has a scene of slaughtered Native Americans, dead on the ground.

William C. Palmer’s “Covered Wagon Attacked by Indians”

  • Depicts Native Americans as savages, as they attack a wagon with spears, although the settlers have muskets in their hands. Inaccurately, the painting shows a Chief attacking the wagon as well, although Chiefs typically gave orders and did not actively fight.

Ward Lockwood’s “Opening of the Southwest” and “Consolidation of the West”

  • Illustrate an “uncivilized” Native eating a snake, and another Native male, in only loin cloth, lying on the floor in defeat. The white colonists look to the west in hope and reverence.

Karl R. Free’s “French Explorers and Indians”

  • Depicts passivity and submission towards the French. Native men are naked or wearing only a loin cloth, and the Native women are bare-breasted.

In 2000, Administrator Carol M. Browner ordered that the paintings be covered, agreeing that the paintings “perpetuate stereotypes demeaning to various groups of Americans.” However, the paintings were subsequently uncovered and even removed to be refurbished, returned and are currently on display in the same locations.

download a pdf of the paintings

 

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